Hand embroidery textile art-Solo Foot in Bed by Karry Hon Ka Yi 韓嘉怡
Solo Foot in Bed 床上的獨腳
Solo Foot in Bed 床上的獨腳
Hand embroidery textile art-Solo Foot in Bed by Karry Hon Ka Yi 韓嘉怡
Solo Foot in Bed 床上的獨腳
Solo Foot in Bed 床上的獨腳

Solo Foot in Bed 床上的獨腳

Medium 媒介:Yarn on cotton canvas 紗線棉質帆布

Year 年份:2024

Unframed Artwork size 未裝裱作品尺寸:84x60cm

Framed artwork size 已裝裱作品尺寸:86x62cm

Note: Frame is not included if the above framed artwork size is not listed. 如沒有列明已裝裱作品尺寸,則表示作品是不連畫框的。

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The concept of this work originates from delicate observations of daily life, with the foot protruding from the bedsheet during sleep as the central element. The composition primarily features soft pastel purple and white bedsheets, symbolizing the warmth and comfort of a restful sleep atmosphere. The layered texture of the bedsheet is depicted through intricate woven patterns, showcasing the tactile quality of hand embroiled fabric and adding a sense of coziness and artisanal beauty. The small foot-shaped pattern at the top symbolizes the unconscious exposure of a foot during sleep, evoking a touch of childlike playfulness and natural state. The creative intent is to capture the fleeting tranquility and authenticity of sleep, with the exposed foot suggesting human vulnerability and innocence, contrasting with the enveloping bedsheet to express a balance between security and freedom. The colorful stripes at the bottom inject vibrancy, symbolizing the vividness of dreams and the rich layers of the subconscious. The overall soft color palette aims to evoke the viewer's resonance with rest and dreams, while showcasing the poetic essence of life through simple elements.

這件作品的創作意念源於日常生活的細膩觀察,以睡覺時從被單中突出來的腳作為核心元素。畫面以柔和的粉紫色和白色被單為主,象徵溫暖與舒適的睡眠氛圍。被單的層次感通過細密的織紋呈現,展現出手工編織的質感,增添溫馨與手工之美。頂部的小小腳形圖案,象徵睡夢中無意識露出的腳,帶出一絲童趣與自然狀態。創作意圖在於捕捉睡眠中的片刻寧靜與真實,腳的露出暗示人性的脆弱與純真,與被單的包裹形成對比,表達安全與自由的平衡。底部的彩色條紋增添活力,象徵夢境的多彩與潛意識的豐富層次。整體色調柔和,旨在喚起觀者對休息與夢想的共鳴,同時通過簡單的元素展現生活的詩意。

My enthusiasm for art originates from my practice of punch needling and hand embroidery as mediums. Using needle, yarn and thread, I explore the close bond between individuals and objects, transforming everyday scenes and mindsets into durable resilient embroidered images. I craft tender feelings, illustrating the stillness of life. These layered fiber act as both a personal shield and a soft counter to external complexities. I reinterpret ordinary objects and leave the contours of memories on fabric, creating a subtle tension between the familiar and the unfamiliar in the interplay of threads or yarn. My creations bring daily occurrences to light within the repetitive texture of needlecraft—those overlooked fragments of life, quiet sentiments. Every loop in the process holds a narrative, enabling me to uncover new perspectives through repeated motions and sense how art transforms the mundane into the eternal.


我對藝術的熱情源於以戳繡(俄羅斯刺繡)和刺繡為媒介的創作實踐。透過針線,我探尋人與物之間親密的羈絆,將日常場景與心境轉化為堅韌耐久的刺繡圖像。我編織溫柔的情感,描繪生命的靜謐,這些層疊的纖維既是個人護盾,亦是對外在紛擾的柔軟回應。我重塑平凡物件的意義,在布料上留下記憶的輪廓,讓熟悉與陌生在紗線交錯間產生微妙的張力。作品在重複的針腳肌理中顯現日常——那些被忽略的生活碎片、寂靜的情緒,每一處線圈都蘊藏敘事,讓我在反覆動作中發現新的視角,感知藝術如何將平凡化為永恆。

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